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The Clock in the Hall: A Story of Time and Memory

Words by Joseph William // illustration by Liu Yutong


It ticks too loudly.

You’ve thought about moving it before, but the idea never quite lands. The clock belongs  there, in the narrow hallway between the kitchen and the lounge, where the afternoon  light filters in through the frosted glass and paints its face in gold.

Its sound used to be comforting, a steady rhythm marking out the days when you had  things to look forward to. Now, it’s just loud. Too aware.

You walk past that clock daily.

Each morning you catch your reflection in the curved glass, distorted and fleeting.  Sometimes you pause, just for a second, to straighten your collar or rub the sleep from  your eyes. You always promise you’ll replace the clock’s battery before it runs out  completely. You never do.

Tick, tock. Tick, tock.

The emails come in bursts, the bills pile up, the voices from the TV babble on about  politics and floods and interest rates. You tell yourself that this is what life is supposed  to be – not happy exactly but maintained. Steady. Manageable.

You walk past that clock daily.

Until one Thursday morning, one of those mornings that feels like all the others,  something changes. The clock has stopped. Its hands are locked at 8:17. You press your  ear against it, but the tick is gone. You sigh, pull it from the wall, and open the back,  ready to replace the battery.

Inside, instead of a corroded metal coil or dust or nothing at all, there’s a folded slip of  paper wedged between the gears. It’s thin and yellowed, soft like old skin. You unfold it  carefully.

The handwriting is yours.

“Go back to the park bench. Don’t miss it this time.”

You laugh, a dry, disbelieving sound. You haven’t written that note. You don’t even  recognise the words. You check the date on your phone just to feel grounded. Thursday,  8:17 AM.

You leave for work anyway, as you always do. But halfway down the driveway, you stop.  Because something about that message itches at your brain. A park bench. The park?  That park?

You turn left instead of right.

The park looks the same as it did years ago. The same cracked pathway, the same  peeling paint on the swing set. The same bench under the same giant elm tree that  drops golden leaves like confetti.

And on that bench sits a woman.

You know her instantly.

Not because you’ve seen her recently, but because you’ve tried so hard to forget her  face.

You were supposed to meet her here once. Years ago. You didn’t show. There was a job  interview that day, and you told yourself that was more important. You never saw her  again.

But here she is, turning her head toward you, smiling that same crooked smile that  always made you lose your train of thought. You don’t even think as you walk toward her.

“I was starting to think you wouldn’t come,” she says, voice soft, familiar.

You sit beside her.

The world feels lighter. The years between then and now blur like fog dissolving in the  sun. She laughs at something you say – you don’t even remember what – and you swear  the sky brightens.

And then you blink.

The bench is empty. The air is still. The light has shifted.

You’re alone again.

You walk home, heart pounding, unsure if you’ve just dreamed it. The hallway greets you  with its familiar smell of dust and coffee. You hang your coat. You look at the wall.

The clock ticks again.

8:18.

You stare at it. Then open the back once more. Another slip of paper waits inside. “You can’t change what’s gone. But you can listen next time.”

You lean against the wall, staring at the clock as it resumes its relentless rhythm. The  sound doesn’t feel loud anymore. It feels alive. Like a pulse. Like a reminder.

Tomorrow, you think, maybe you’ll go to the park again.

Not to change time.

But to stop letting it slip past.

You walk past that clock daily.

But now, every time you do,

You listen.

Joseph William

My name is Joseph William, and I’m based in Melbourne – a city whose rhythm and complexity continue to inspire me. I’ve always been fascinated by the connection between people and place – how the spaces we create shape who we are, and in turn, how we shape them. With a background in architecture, my curiosity has evolved into a deeper exploration of how cities grow, adapt, and reflect the stories of those who inhabit them.

This fascination with human interaction and environment has naturally led me toward literature and storytelling. I’m drawn to narratives that challenge perception, evoke emotion, and connect people through shared ideas and lived experience. For me, storytelling is a form of architecture in itself – a way of constructing meaning, one word or moment at a time.

Beyond work, I find balance in movement and exploration – staying active, spending time outdoors, and immersing myself in Melbourne’s ever-changing food and design scene. I’m constantly seeking new cafés, hidden bars, and corners of the city that tell their own quiet stories. At my core, I’m guided by curiosity – an ongoing desire to learn, to grow, and to understand the world through both structure and imagination.

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